Page 56 - MU VOL4 #3
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STREET PHOTOGRAPHY

                 By SYLVIA ZAMORA


          New York



        It is defined as: “photography conducted for art or enquiry that features   Street Photography’s biggest hindrance is being SHY and holding oneself
        unmediated chance encounters and random incidents within public   back because of  it. If  you are this person, get over it! Being shy will really
        places. ... Street photography does not necessitate the presence of  a street   get you nowhere! Keep in mind that you are shooting CANDID shots,
        or even the urban environment.”                       thus, they don’t actually see you YET. And when they do see you and
                                                              there is that angry face building up, Walk away or RUN is all I can say!!!
        The basic question is, HOW do you do it?
                                                              People shots are most interesting in their moments of  vulnerability. This
        First of  all, it is definitely not a daunting task BUT it requires a QUICK   is when you capture the true emotions of  man. You see creases of  stress
        EYE, a QUICK MIND & a QUICK DRAW to capture that moment. It   in their faces, or that unabated pure joy and happy smiles, or you can
        is putting your artistic mind into OVERDRIVE, because you may lose   actually hear their minds wrangling with everyday mundane decisions
        that “Kodak Moment” in a flash.                       going on in their brains, or you can vividly see the pain of  those troubled
                                                              hearts and sad lives.
        FIRST rule of  thumb is: DO NOT HESITATE! NEVER HESITATE!
        This is always my frame of  mind when I’m out walking in the streets,   In Street Portraiture, specially with CHILDREN, it can be a very touchy
        because once you do then you lose it forever. I kick myself  in the butt   situation. In shooting children, who are always accompanied by their
        later on, for losing that trophy shot, simply because I waited and lost it.   parents, I will ALWAYS ask permission first and introduce myself  as a
        REMEMBER, in street photography/portraiture, there is NO second   photographer. I then ask for their cell numbers and send them the photos
        chance. Random                                        immediately after. This is just to validate that you’re not a pervert or
        people portraiture you will never meet again, never see again, never   kidnapper and a hundred percent of  the time, they profusely thank you
        capture again. So, my motto is, as Nike would say: “JUST DO IT”!!!  for the beautiful photos. That, to me is instant gratification that always
                                                              warms my heart.
        LOOK, THINK, FRAME & SHOOT!
                                                              With ADULTS, they’re actually harder to shoot when it’s a face to face
        SECOND rule is ALWAYS being AWARE of  your surroundings.  shot. More often than not, I shoot without them knowing. But once
                                                              discovered that the lens is facing their way, I either ask, put on that sweet
        Look people straight in the eye, hover and observe (like a stalker   smile or simply walk away. Most times when discovered, I walk away
        hahahaha!) AND anticipate people’s actions. By doing so, you almost   because I’ve lost the moment anyway.
        KNOW what they would do next and there you are, camera on hand
        ready to capture that moment.                         We all know the best people photos are those that are candid. The best
                                                              photos are those that attracted your attention to it in the first place,
        THIRD rule is: LOOK UP! You’ll be surprised how the world looks   that split second photo in your head is what you want captured on film.
        shooting up!                                          Thus… Be quick to the draw, BEFORE they can even react. Long
                                                              before I start clicking away, that image has already been captured in my
                                                              head. So in short, asking an adult for a photo is not always a good shot in
                                                              the end.


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